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  • props or set dressing such as cars or furniture;
  • costumes or wardrobe items; or
  • equipment such as computers, phones or cameras.

  • travel or accommodation such as airfares, vehicle hire or hotel bookings;
  • access which may involve specialist facilities such as helicopters or scuba diving services;
  • translation services;
  • post-production or online facilities; or
  • venues and other in-kind community support associated with participation in community outside broadcasts (OBs) or activities.

  • Is any interest of the supplier canvassed directly or indirectly in the project’s content?
  • What is the nature of that interest? Is it commercial or non commercial? Is it political, sectional (i.e. that of an interest or lobby group) or personal?
  • Will the content, scheduling, publication or scale of the project be influenced by the supplier? Or could there be a perception of influence?
  • How will the product, service or facility be used by the project?
  • Will it be referenced on air or online and if so, how?

  • they represent the only reasonable means of covering an editorially significant story. For example, a free place on a Minister’s plane could be accepted in order to travel to the scene of a major disaster when normal transport is not available in a timely fashion, but free travel or accommodation from a company or Government would not be accepted simply to facilitate coverage of a newsworthy event or to reduce costs to the ABC; or
  • where media conference or similar facilities (including the provision of lighting and audio) have been provided to all media without restriction to allow coverage of a news conference, speech or announcement or to facilitate an interview or general media picture opportunity.

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